Henri Pierre Danloux
1753-1809 French French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.
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Henri Pierre Danloux Ludwig Heinrich Joseph von Bourbon oil painting


Ludwig Heinrich Joseph von Bourbon
1797(1797) Oil on canvas 41 x 34 cm (16.1 x 13.4 in) cjr
Painting ID::  78054 		Henri Pierre Danloux
Ludwig Heinrich Joseph von Bourbon
1797(1797) Oil on canvas 41 x 34 cm (16.1 x 13.4 in) cjr
   
   
     
Henri Pierre Danloux le Romain oil painting


le Romain
1770(1770) Medium Oil on canvas Dimensions 76 x 65 cm (29.9 x 25.6 in) cyf
Painting ID::  81819 		Henri Pierre Danloux
le Romain
1770(1770) Medium Oil on canvas Dimensions 76 x 65 cm (29.9 x 25.6 in) cyf
   
   
     
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     Henri Pierre Danloux
     1753-1809 French French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.

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